Ivory and Africa’s agony. A Call To Artists 2 Make A Stink.

A Call To Artists… How on earth are we going to explain the elephants‘ extinction to our children?Großangelegter Schlag von Interpol gegen Elfenbeinschmuggler Recent news about the destruction of six tonnes of ivory highlighted the global cull rate of elephants at 30,000 per year, with world estimates at 300,000, mankind is set to eradicate the lovable pachyderm forever in less than ten years or sooner yet. In the 1970’s when Pachyderms numbered 10 million, the cull rate for ivory was 100,000 per an-um until a group of artists dedicated their resources and talents with the World Wild Life Fund to change the public’s attitude and the cull rate dropped significantly. 30 years later the Chinese are circumventing the CITES Lusuka arrangement to only use 25 yr or  older harvested tusks,  The Chinese alone are buying and processing 80% of the murder of the planet’s most beloved creature,  right before the eyes of the ECCAS.  [Economic Community of Central African States],The Central African Republic estimating only 17% remaining since 2010Entire-family-group-poached,-Quirimbas-National-Park,-Mozambique,-2011-(c)-EIA.568 Elephant tusks stored in secured ivory piles, Kruger National Park, South Africa
Asian car covered in Ivory Ivory and Africa's agony
Asian car covered in Ivory
Ivory and Africa’s agony

ivory-carvings-crush

 
 
   The people who consume products from the murdered elephants need to be shamed and ridiculed, they need to be held immediately accountable before the elephants become extinct. If we are not found to be poking fun, embarrassing them and using our freedoms of speech to show our utmost contempt for the nuevo rich Chinese using African animal products for vanity and superstition what should  these  freedoms be for ?    If a particular country, region or town significantly consumes, processes or trades in these murdered animal products, whether for health, wealth or happiness, we have  to sanction them with all  artistic rhetoric at our means and as often as possible. Our politicians will only act on our behalf if we are unified in creating a stink about Ivory and Africa’s agony. otherwise…
We will all have to answer to the very distrusting eyes of the next generation when they ask; ”What happened to all the free elephants ?”  
 
 Miami Art reviews calls on South Florida Artists to consider this challenge and work together to raise a stink about Blood Ivory and all it’s relative sins.

Ana Bikic & William Coulthard

Miami Art Reviews. Art  Review  Miami
MQPC.Inc
Ph: 786-239-0118
National Geographic Bryan Christie Blood Ivory Oct2012/.Feb 2013

Ministers of Defence, Forestry and External Relations of the Economic Community of Central African States (ECCAS

Lusaka Agreement as this is in violation of the Convention on International Trade in Endangered Species (CITES

Elizabeth Turk Sculpture Art Basel Miami Beach 2012

                                                Elizabeth Turk  At Art Basel Miami Beach 2012

Elizabeth Turk
Elizabeth Turk Marbol Carving Sculpture at Art Basel Miami Beach 2012.
photo by Ana Bikc for Art Reviews Miami 2012/13
This year’s Art Basel Miami Beach, contemporary best was sculptor Elizabeth Turk, marble carving to an exquisite belief in the fluid form. 
Her work is a shining example of where the direction lies towards a classic Fine Art future, the humility needed to execute a
perfect patience with such a delicate pursuit of the making, leaves one only to marvel in response.
  Elizabeth Turk’s latest marble sculptures would be a touch stone cultural bridge to middle east liberal progressions,
 part of a new creative generation of women moving the eco- symbols of humanity towards the transcontinental spring.
Her work is Nationally recognized by the American Institute of Architects and the MacArthur Foundation, two important credits
to her career. Turk’s current series of Ribbon marble forms are a joy to behold. They immediately evoke a collective response,
 as total strangers share their wonderment together. When Art achieves this, it’s worth every dime to own it because we will all
pay more than a dime to see it again and again.
By Ana Bikic And William Mark Coulthard
Miamiartreviews@gmail.com

Coconut Grove Arts Festival Poster 2011 Guy Harvey

Guy Harvey poster Coconut Grove Arts Festival

Coconut Grove Arts Festival Poster 2011 by  Guy Harvey

Guy Harvey poster Coconut Grove Arts Festival
Coconut Grove Art Festival Poster 2011 by artist Guy Harvey

 Congratulations to the Coconut Grove Festival Committee and to Marine Artist Guy Harvey for this year’s Festival Poster.

South Florida’s favorite Art Festival in the Grove is introduced by one of  South Florida’s favorite Artists. This title for Guy Harvey is testament to the tens of thousands of people who wear his prints, enjoy his murals and sculptures everyday for years. After a summer of devastating pollution in the Gulf that has threatened the whole coastal  regions of the State, the Coconut Grove Art Festival has chosen Harvey’s marine life symbols as emblematic concerns of us all. Environmentalism has long been a traditional content of Florida’s artists since the pioneer days of Audubon. Harvey’s colors, details and movement of his subjects are admired and totally sympathetic, his style is beautifully executed and acceptable. He has inspired many other artists to use the beauty of  Florida’s marine life and fauna, leading the way as an environmental Fine Artist.