New World 1513 Mural Foundation at the Gables Hispanic Cultural Festival 2013
A Viva Florida 500 Event
The New World 1513 Mural Foundation will be participating at the Gables Hispanic Cultural Festival on 26th and 27th October.
This outdoor weekend Festival, in it’s fourth year, will feature local food, live music and art activities for the family.
The New World Mural 1513 tent at the Gables Hispanic Cultural Festival will be showing a recent tri-panel canvas mural celebrating Viva 500 . Tickets for the raffle of this mural will be sold at the tent,proceeds are going to the Dade Heritage Trust. with the final drawing at the end of the year.
The tent will also have postcards and small posters of local historic art for sale, a student history quiz with prizes and an opportunity for families to don period hats and take photos together in front of the art work. There will be a large canvas scroll mural where visitors can sign their “thanks” which is to be sent to the State’s archive collection for this year’s Viva Florida 500 program.
The New World Mural 1513 Foundation aims to raise the awareness of important events in history from 500 years ago. The State’s Viva Florida 500 program running this year is an important time to remember that Tequesta Miami was the first Native American
settlement discovered by the Spanish explorers.
The Gables Hispanic Cultural Festival will be at Biltmoor Way and Le Jeune, Coral Gables. It is a free family event lasting all day Saturday and Sunday, on the 26th and 27th October. Come and join us to learn that St Augustine was not the founding site of Juan Ponce De Leon 500 years ago in 1513. It was the Biscayne Bay and Tequesta Miami that were named as the first discovered Native American settlement, Viva 500 Miami.
Brian Curtis Stonehenge Series I&II
UM Gallery Wynwood. Miami Florida July – Sept. 2013
Miami Art Reviews.
Brian Curtis is the head of under graduate studies in Painting and drawing at University of Miami, Coral Gables. The Stonehenge Series is a departure from his life and figure paintings.
The ancient (6500yrs) megalithic stone circle of England set against a tropical sunset may seem like a remarketing tool of artistic juxtaposition but a few days after meeting the artist ,looking west from Miami Beach’s Green Diamond towards Miami’s downtown skyline. “how much alike the set sun on these new Miami megalithic towers are to Brain’s recent series”. The use of the ancient symbol “Stonehenge” has proved to be very universal this side of the Atlantic. Miami has its own mini circle, dating from a similar time in man’s history, the symbol has always been associated with the psyche,spirit and meeting place.
Brian Curtis’s Stonehenges are keys to personal spaces,each sky appealing to each destiny, the brush work delivers only as much as is required with light’s fluidity and life’s color against stone cold realism. The paintings are accompanied with mythical tales, ancient stories and ancestral traditions of ritual. It would be easy to imagine any of these paintings being a subliminal morning flash or returning welcome in many people’s homes.
Brian has succeeded in fusing two specific joys into one language, he is after all a professor of Fine Art and his use of universal symbols to evoke emotion and mind is in complete tradition of the visual language of symbols that defines Fine Art from art in general.
Sometimes being delayed to write an article gives time for the spam art to sediment and the clear solutions created crystallize. Art shows are full of it but some less than others.
Miami’s Art Basel Miami Beach week has an entourage of side shows that proving to be an ideal part of Gallery circuits, giving local national and regional artists a wider reach. The ‘dot’ Art Miami, grouped with the other mid town/design district fairs and shows attracted some great talent in December 2012 , collectively equaling the Art Basel Miami Beach in attendance and artistic value$.
This Charles Birchfield, last one left from the DC Moore Gallery NY. They had had a booth at Art Basel two years ago and sold six Birchfields.
Simon Raab. br 1952, spider grenades and puma made of bullet casings.with the GeorgeZimmerman Gallery.
Raab lives and works in Germany. His work incorporates contemporary debate topics constantly, which has led to his work being banned in China and people being arrested trying to import art work.
This exhibit was very popular. South Florida has a strong hunting
tradition and his life size Puma made out of bullet casings was idolized.
The Douglas Dawson Gallery has been in Chicago since 1982. Member of the Antique Tribal Art Assoc. The use of old metal tables and heavy industrial materials as plinths for the Tribal art makes the Antiques display look like a Modern Art Gallery. Primitiveness is not without design finesse.
The exhibit was fascinating and was displayed with great taste.The Buddha sat surrounded by characters of the globe with the stone mill wheel inviting to view him through. Mr. Dawson not only has a great collection to choose from but he arranges the exhibits as we would want at home, in company and inviting intimate gaze. This Buddha wood carving sits nearly five feet high from the table.
The Jane Sauer Gallery, Sante Fe, New Mexico, The Jane Sauer Miami dot Art exhibit brought a surprising and talented group of contemporary American figurative Sculptors whose pose and content was immediately cognizant of the genre’s tradition and experimentation of material and content irony.
Portyrait painting. The pinnacle of perfect painting. The apex art form for visual artists Bryan Drury, 9 x 11 portrait titled Jake Garn 2012. This gem was hung on a side pillar wall unnoticed by most but obviously not all, it was red dotted,sold. Drury,born 1980, is from Utah,moved to New York, he has a MA in Fine Arts and has been working with the Dean project since his first solo exhibit in 2010. The detail of his hyper realistic style is flawless,
The detail of his hyper realistic style is flawless, making one realize how bad our eyes are when we see the detail on the subjects face down to pore and folecule. Many artists who attempt to flash with Hyper- realism loose the personality in all the details whether because they pay little attention to overall composition or forget that the living eye
is controlled by the brain and therefore has prejudice and favor of study. That’s why it is risky giving a portrait commission to a hyper realist painter, not that their work is unflattering for the subject but the image lacks life.The Drury we found at the Dot Art Miami show of Jake Garn was an exact likeness of our retired and beloved family dentist . The same kind, caring and calm expression smiled back to us. Here we realized was a great portrait painter and so young. We predict that Bryan Drury will become this county’s foremost portrait painter, he will paint Presidents and State portraits. Drury is an exceptional talent and anyone brave enough to commission their likeness must be ready for the microscope.
Ken Orton Ken Orton, Born 1951 , UK. USA/ Esp. influenced by Ed Hooper, like so many British realism painters in the UK art schools as modern expressionism overshadowed even the Art school curricula . The Manchester school in particular,where he taught may have made Orton’s persistence with the new realism difficult with Calderists like Dave Sprakes insisting on being “painting professors” .
Saye Gbatu Surrealism at Art Miami . Vladimir Kush. reproductions, also Saye Gbatu NY and Madeline Von Foerster are the painted version of photo shop still making the audience wow with wonder through thoughtful wit and all with a wicked brush talent that convinces the eye.
Vladimir Kush Madeline Von Foerster Francisco Faria, charcoal on paper. Atopia 2011, 42”x 62”, Art Miami 2012Bolsa de Arte San Paulo Brazil. Faria’s renderings are freshly composed in monchrome but the tonality and arrangement still evoke the hues he has excused, making his work out weigh a photo.
The Gallery has an International Art circuit from London, NY, Dubai and Miami. Faria’s charcoal landscapes were their most interesting exhibit at their Miami show.
Chinese Traditional Painting Academy. This was an enlightening section filled with the Zen of old and new that needs it’s own blog space to do just. Whilst it is now easy to buy 200 year old Chinese paintings on E-Bay for a song, the Academy continues to teach and demonstrate their unique and popular discipline to brushed expression.
This section gave the whole afternoon’s viewing the perspective and tradition that many contemporary artists are pushing for.
The debate for quality. the argument against flippant gestures and easy bucks. That, Art’s value must be linked to it’s finesse and originality. That the name branding venturists of Wall Street whose contracted opinions of aesthetics need to allow the show system and real market debates as a measure of true talent and art value. Here,as you can see, very good art was not difficult to find at the Art Basel Miami Beach side shows across Biscayne Bay in Miami,Florida