A Call To Artists… How on earth are we going to explain the elephants‘ extinction to our children?Recent news about the destruction of six tonnes of ivory highlighted the global cull rate of elephants at 30,000 per year, with world estimates at 300,000, mankind is set to eradicate the lovable pachyderm forever in less than ten years or sooner yet. In the 1970’s when Pachyderms numbered 10 million, the cull rate for ivory was 100,000 per an-um until a group of artists dedicated their resources and talents with the World Wild Life Fund to change the public’s attitude and the cull rate dropped significantly. 30 years later the Chinese are circumventing the CITES Lusuka arrangement to only use 25 yr or older harvested tusks, The Chinese alone are buying and processing 80% of the murder of the planet’s most beloved creature, right before the eyes of the ECCAS. [Economic Community of Central African States],The Central African Republic estimating only 17% remaining since 2010
The people who consume products from the murdered elephants need to be shamed and ridiculed, they need to be held immediately accountable before the elephants become extinct. If we are not found to be poking fun, embarrassing them and using our freedoms of speech to show our utmost contempt for the nuevo rich Chinese using African animal products for vanity and superstition what should these freedoms be for ? If a particular country, region or town significantly consumes, processes or trades in these murdered animal products, whether for health, wealth or happiness, we have to sanction them with all artistic rhetoric at our means and as often as possible. Our politicians will only act on our behalf if we are unified in creating a stink about Ivory and Africa’s agony. otherwise…
We will all have to answer to the very distrusting eyes of the next generation when they ask; ”What happened to all the free elephants ?”
Miami Art reviews calls on South Florida Artists to consider this challenge and work together to raise a stink about Blood Ivory and all it’s relative sins.
Tri county ride for cancer research for the University of Miami Sylvester Comprehensive Cancer Treatment Center For Cancer Research. Sylvester Comprehensive Cancer Center
Launched in 2010, the Dolphins Cycling Challenge (DCC) is a two-day tri-county charity cycling event. The DCC is dedicated to raising funds for lifesaving cancer research at the Sylvester Comprehensive Cancer Center. Started in 2010 the Challenge organizers hope to equal last year’s whopping $2.2 million dollars raised.
So far the events combined have raised $3.8 million with $1.9 million for this year 2013 already. The event has over 2700 registered riders, who have a choice of 30 to 170 mile rides to participate in over the two days spread over the tri-county area. Set to raise over $6 million in 4 years the University of Miami Sylvester Comprehensive Cancer Center receives an admirable donation from Miami Dolphin fans and the Miami Dolphins.
Photos taken Saturday Nov 2nd 8.30 am at 3rd Ave. and Coral Way as the cyclists enjoy the shade of the Banyan trees heading to South Dixie Highway. Pictured; event official Robert Hayden directing the groups along the way. 100% of the funds raised by the riders are presented to the UM’s Cancer Center. The logistical support donated by the Miami Dolphins.
FUNDS RAISED SINCE 2010
INAUGURAL RACE: $3,800,000
Photography Ana Bikic/Wm Coulthard Miami Art Reviews.2013 Miami Art Reviews Community Arts and Sciences Events. Fund Raising and Charitable Local Sponsors. Fund Raising and Charitable Local Sponsors Philanthropic Initiatives and projects.
Le Jeune and Biltmore Way Coral Gables October, 26, 27.
The Gables Hispanic Cultural Festival had it’s 4th annual weekend street festival in front of Coral Gables City Hall .
Saturday morning Mayor Jim Cason welcomed everyone from the stage to get the Festival started then made his way up the Festival tents past a host of vibrant and expressive artists and vendors to the West end entrance, where he signed the Gracias Por La Historia canvases at the New World Mural 1513 Foundation’s tent. Mayor Cason then posed with a Conquistador helmet in front of a new mural made in partnership with Dade Heritage Trust for the Viva 500 Florida theme, by two of the original Freedom Tower, muralists from 1988.
The Gracias Por La Historia canvases filled with signatures by the end of the second day of the Festival, whole families donned helmets and feathers to be photographed together in front of the Map mural being raffled. The signed canvases are destined for the State and Spanish archive collections for this historic milestone in our State’s Viva 500 history and heritage. Families put the dates of their arrival in this area, they ranged from 1866 to less than 6 months ago.
The Freedom Tower Muralists were on hand to sign posters, they were also celebrating 25 years since their New World mural was created for the News Tower/ Freedom Tower in 1988, which commemorates Juan Ponce De Leon’s naming and exploration of Biscayne Bay and Tequesta Miami for two weeks in 1513 and reminding everyone that Tequesta Miami is the first Native American settlement discovered and recorded in the ships logs of Juan Ponce De Leon’s first expedition to the waters North of Cuba.
Major Jim Cason is quick to point out that sixty percent of Coral Gables residents and businesses are Hispanic in culture or influence and having the Gables Hispanic Cultural Festival is an obvious win for all. By the time he had made his way back down the other side of the vendor’s avenue the Stage area was well warmed up and sounding out Latin beats that would vary through the weekend from folk and gypsy to Latin funk and salsa beats.
The small Merrick Park in front of Coral Gables City Hall had shade and favorite foods found from all over Miami Dade County with kids activities and cool places to sit and enjoy the stage performers.
This was a new venue for the Gables Hispanic Cultural Festival, previously at the Ponce De Leon and Biltmore intersect and park area. Their partnership with Waste Management Inc, had positioned clean trash boxes everywhere with soda and water stands never far from any point at the Festival. The Festival ran till late Saturday night attracting the usual Coral Gables Miracle Mile crowd to come across Le Jeune Ave to eat and dance, Sunday evening the Festival ended earlier.
The Gables Hispanic Cultural Foundation really organised a very fun and secure Festival again.
New World 1513 Mural Foundation at the Gables Hispanic Cultural Festival 2013
A Viva Florida 500 Event
The New World 1513 Mural Foundation will be participating at the Gables Hispanic Cultural Festival on 26th and 27th October.
This outdoor weekend Festival, in it’s fourth year, will feature local food, live music and art activities for the family.
The New World Mural 1513 tent at the Gables Hispanic Cultural Festival will be showing a recent tri-panel canvas mural celebrating Viva 500 . Tickets for the raffle of this mural will be sold at the tent,proceeds are going to the Dade Heritage Trust. with the final drawing at the end of the year.
The tent will also have postcards and small posters of local historic art for sale, a student history quiz with prizes and an opportunity for families to don period hats and take photos together in front of the art work. There will be a large canvas scroll mural where visitors can sign their “thanks” which is to be sent to the State’s archive collection for this year’s Viva Florida 500 program.
The New World Mural 1513 Foundation aims to raise the awareness of important events in history from 500 years ago. The State’s Viva Florida 500 program running this year is an important time to remember that Tequesta Miami was the first Native American
settlement discovered by the Spanish explorers.
The Gables Hispanic Cultural Festival will be at Biltmoor Way and Le Jeune, Coral Gables. It is a free family event lasting all day Saturday and Sunday, on the 26th and 27th October. Come and join us to learn that St Augustine was not the founding site of Juan Ponce De Leon 500 years ago in 1513. It was the Biscayne Bay and Tequesta Miami that were named as the first discovered Native American settlement, Viva 500 Miami.
On Wednesday 27th February 2013, the Dade Heritage Trust heard Commissioner Xavier Suarez, aide J.C. Garrido and architect Richard Heisenbottle, the region’s foremost authority on restoration, call for the raising of the Coconut Grove Playhouse to be avoided, offering a plausible solution. To achieve this Governor Rick Scott needs to be inundated with our concern and appreciation for the old Theater and how it’s return as a working stage would stimulate the cultural attraction of the whole Coconut Grove Arts scene and the business district to the strengths of former years. The theater has a rich history and is well-known as a brand name, it has an iconic image that reflects the Grove’s artistic and expressive heritage which would certainly aid the launching of a new working stage for the region as a whole. Miami now attracts many international events all year-long, any theater with mixed programming appealing to a wider audience and offering facility to host events would be able to partner strongly with the neighborhood hotels and residents’ tastes. Performance could be added for the Arts Festival, Comedy nights throughout the year, film openings, corporate and inspirational presentations, conferences, poetry, dance and music recitals, the list of uses a working stage offers to a community is as long as the imagination and creativity the Theater’s director is given. Now that we know the building itself is restore-able and safe, we need a business plan for a modern working stage. The Grove’s theater was the driving force of it’s identity as a location, returning to this formula is a sound investment. Destroying the Playhouse entirely or just as a facade to another empty arcade would be contrary to our community’s real concerns. Private schools and gated communities in the center of the business district are contrary to civic planning and they do not attract visitors to the shops and hotels. Theaters have served communities as focal points, the stage is the forum for debate and idea, politically theaters are important places for common voice and vibrant expression, from them comes the confidence of community and with out them the silence is joyless. Save the Grove Playhouse, save a piece of history and save a chance for more to be made. Call the Governor and tell him this is important to reopen a working stage for Coconut Grove.
Miami Dade Commissioner Suarez phone 305-375-5680 or District7@miamidade.gov
Florida Governor Rick Scott phone 850-488-7146 and at firstname.lastname@example.org
Counter to the current conditions of finance and political issues to solve legal halts; the rich historical heritage associated with the Playhouse is impressive.
Historically it showed film, was restored to stage by famed architect Browning Parker and hosted Black, Jewish and Hispanic artists, from Billie Holiday to the Wizard of Oz.
The stage hosted the premiers of Samuel Beckett’s Waiting for Godot, the musical Fame and many other Broadway hits, providing quality national performances. The Playhouse was a premier stage for Off Broadway and International new plays and shows. In 1982, with the Artistic Director actor-director José Ferrer brought regional programs for actors and Arnold Mittleman continued as AD, expanding to touring companies.
The Coconut Grove Playhouse was commissioned in 1926 by the Peacock Family, the symbol of the Grove still today, the architect, Kiehnel, is Miami’s very best. The land was given from the Munroe family.
The front facade has Rococo neo spanish features, commanding the southern entrance to the Coconut Grove business district, it has it’s own parking, office space and room for two small stages.
Between 1964 and 1965, The Coconut Grove Playhouse was used by The Miami Actors Company.
Among many important artists, most renowned performers, including Maureen Stapleton, Hume Cronyn, Jessica Tandy, Eve Arden, Tallulah Bankhead, Carol Channing, Liza Minnelli, Linda Lavin, Bea Arthur, George C. Scott, Colleen Dewhurst, and Ethel Merman, Neil Simon’s The Sunshine Boys, starring Jack Klugman and Tony Randall, and Urban Cowboy, Sherry Glaser’s, Family Secrets, Death of a Salesman, starring Hal Holbrook and Elizabeth Franz, actor-director José Ferrer.
In a 2011 Miami Condition report by Ellen Ugiocinni states a $15 million plus matching $5 million had be reserved.
The restoration if done in private hands would match this figure, according to the Architect but double that figure if the City gets involved with the renovation process.
Miami Art Reviews considers the Coconut Grove Playhouse as important to save as the Freedom Tower,the old Daily News Tower , 600 Biscayne Blvd. It has both cultural and historical heritage for the Grove and the region as a whole. MAR calls for a working stage once again for Coconut Grove.
Viva Florida 500 Ponce De Leon 500 Anniversary at Vizcaya Museum Miami Florida.
City of Miami Mayor Tomas Regalado, Dr. Joel M. Hoffman Executive Director Vizcaya Museum and Gardens, Eduardo J. Padrón, Ph.D. President, Miami Dade College,Raquel Regalado is a lifelong resident of the Miami-Dade County School Board District 6,Secretary of State Ken Detzner, Maria Cristina Barrios Almanzor, Consul General, Mayor Carlos A. Gimenez, And The Freedom Tower Miami Muralists 1988 William Mark Coulthard And Ana Bikic.
Miami Beach Art Basel 2012.
Design by Snarkitecture Projects.
Snarkitecture is a collaborative work Art incorporating architecture, exploring and experimental with the element off surprise working within existing spaces or in collaboration with other artists, architecture and designers.
Snarkitecture was established by Alex Mustonen and Daniel Arsham and is represented by Galerie Emmanuel Perrotin.
Opening Day for the Art Basel Miami Beach 2012. Dec 6-9 Miami Art reviews 12/11/12
Chairman of the Miami Beach Host committee for Art Basel 2012 is Norman Braman, the county’s most popular and dynamic figure talked about the international reach he personally has witnessed. Miami Beach Mayor Matti Herrera Bower was delighted to have Collins Park active encouraging the Art Basel crowd to explore. Guy Morin, Canton President of Basel_Stadt and Jason Chandler, UBS committed to the audience the expansion of the Art Basel market with an all year presence on Miami Beach announced by Annette Schönholzer and Marc Spiegler. It was an exciting start to the event and Miami officials were beaming to host this very lucrative and culturally prestigious show once again. The layout, sections and comfort needs fit well into the Miami Beach Convention Center and finding an alternative venue on the Beach would be hard. Mr. Norman Braman is correct in praising the lift the region has with the Basel partnership, Miami was also ready for a major art show or Biennial at the end of the 90’s. Now our region will have the Asian art market to attract visitors and investors.
South Florida is blessed with warm sunny climes when the rest of the world is either beginning to shiver or tired of it.
Miami Beach’s artistic history continues by hosting Art Basel for another decade.